In this serigrafi masterpiece of Kandinsky more tend to to practice its theory about composition, than improvisasi and impresi as source of creation of its masterpiece. In actor expression composition emiting a stream of to pass feeling formed consciously and in phases, although that process also have the character of irrationally. However in this masterpiece also can be seen by lines spontaneity appearance which born from impulse. Thereby, although is not dominant, in this masterpiece in fact also contain improvisasi unsure. Category of[is source of creation in composition, impresi and improvisasi it is true cannot tightly weared to classify a masterpiece. Many masterpiece which in many contents various category of source of creation such as those which have the Kandinsky dipilah-pilah. Even though one of that category can become pattern of source of most dominant creation.
In this masterpiece presented a composition which consist of formal forms and lines having the character of is off the cuff. Geometric parallelogram forms and trilateral become to melt in entirety ritme. Molten of this formal forms nya because of entry of biomorphic element in it and balance move by circle form and also line which is curves. Since still grapple together at De Blaue Reiter expresionist group, he have exponent symptom menunjukan with its objects function omission. At that shares show appearance of nature of is analytic. At others he is recognized to have intuition which bubble up at freshness of colour, ritme mark with lines and form. In this serigrai masterpiece entire/all line element, colour and form attend as musical ritme which can reflect intellectual strength and durability of Kandinsky intuition
Without Title / Untitled
Serigrafi / Seriegraphy, 50 x 65 cm,
Inv. 97/SG/C
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