Painting masterpiece entitle ” Meeting”, 1947 this its contents can be interpreted with various interprestation. That thing is because by teztual its objects contain narrative potency which is interpretative multi. And woman men sit in front of bed. He is still dress complete with peci and coat, whereas its open woman kebaya, so that its bra seen. Gestur both of that man can sign containing communications of intimacy, can also conflict, at the same time humor. This Setting can happened in domesticity, in outdoors love relation, or even from visual indicator of flange nya can make a picture a bordil in year 1940’s. But more than that, painted with processing of naïf figures, fair colour and its linear line, can give keen life comment. Masterpiece Otto Djaja is true distinguish its character which naïf, always can catch soul life of society, and framed in humor colour which satiric.
Other theme which tilled by containing many insinuation about environmental hypocrisy of social. Theme that way can be seen by at its masterpiece about reception atmosphere, batik cloth market atmosphere, or also at scene practice mysticism. As pressure for the seeing of the satire and humor, this artist usually use Punokawan figure from puppets world and traditional legends. Although Otto Djaja lay open about dark side of human being relation, but because that theme processed with hilarious colours and humor, hence its painting always attend warm atmosphere
Meeting / The Meeting ( 1947)
Placard paint on paper / Oil paper on Palcard, 88 x 65 cm,
Inv. 476/SL/B
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