At painting which is titled “Composition”, 1975 this, Oesman Effendi attend existence as a visual symptom of purification. although collective Subconscious we association can form that with forms exist in nature, but this artist is not at all mean represent form any. Biomorpic area which consist of yellow colour alcove and that ochre get an impression motion which floating. Impression move in it more ritmic, because in alcove there is rhythm accentuation mark with lines to have crook with strong colour. Even though, fair colour and rhythm not then attend hilarity, but woke up atmosphere exactly silence which floating. In this painting of Oesman Effendi expression which is also constituted by tasawuf spirituality submit stillness pass visual paradox. In rhythm move there is stillness, in brightness also woke up by silence. In this tataran, possible he wish to attend that forms as symbolic attainment of certain spiritual, but in Ianguage which is subtile
After year 1960, intensive Oesman Effendi progressively with this abstraction world, so that shake hand and object only remaining laid open to esensial pass visual rhyme. In that rhythm, he express mediative character, poetic, dramatic, and magical pass colour and line. This attainment started to pass artistry attitude struggle process which is soliter from its environments.
In the year 1950, although in Yogyakarta Oesman Effendi have had tendency at art paint abstraction, because forms in its painting have experienced of abstraction and moderation. He do experiment with line and colour, especially with water color media and pie. Clearness at that artist express personal independence [in order] not to drift at nationality aestetic paradigm current with political tying tend to left, as which is dominant in
Composition / The Composistion ( 1975)
Oilcolour above canvas / On canvas Oil, 61 x 91 cm,
Inv. 146/SL/A
Tidak ada komentar:
Posting Komentar