Painting Achmad Sadali, “Mount Gold”, 1980 this represent one of the expression deputizing attainment of its value. As pure abstraction artist of Sadali is true have got out of natural forms representation. But that way, in visual Ianguage all attended by form is actor can be read with various interpretation level. In existing civilization usian, human being have been woke up by its subconscious by marking which universally can awaken certain spirit. Heavy colour, hole and dot, and also strokes at area can remind at mystery image, arcaic, and is transient. Triangle sign, pyramid construction give image about religisitas. Farther gold discharge and Al Qur’An calligraphy strokes can transmit islami spirituality. All the marking attend in Sadali painting, so that expression which emerge is contemplative crytilazations of religion values, mystery and is transient
Reading of that textual iconografic, have come up with image interprestation and meaning of form. But that way because Sadali always refrain from with explisit concept in creative process descripted, hence to dig symbolic meaning of its masterpieces require to be referred by its life view. As artist with carrying out of strong moslem, according to its confession of creativity contemplation in painting in line with carrying out at Ali Imron letter, 190 - 191 in Al Qur’An. He is awaked that in fact human being awarded by three potency, that is ability recitate, berfikir, and believe to go to “plenary and ideal human being” ( Ulul-Albab). According to artistic Sadali area is recitation area. Sophisticated more and more ability recitate human being, more and more sensitively of its mind eye. In painting “Mount Gold” this can be seen by how Sadali recitate, pouring sensitivity of its mind eye with visual element
Gunungan Gold / The Golden Mountain ( 1980)
Oilcolour, wood, canvas / Oil, wood, canvas, 80 x 80 cm,
Inv. 176/SL/A
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